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View Full Version : Is it me, or do Japanese bands get all the props outside of Asia?


kikiandlala
Jul 4th, 2008, 09:29 PM
Recently another Free Kitten album came out and one of the members
of that sideproject is Yoshimi P-We from the Boredoms.

That got me wondering, has there been any non-Japanese bands from Asia
that has some status in North/South America and Europe? Or do Japanese
bands hold the monopoly.

Some examples:

- 4 years ago in a Japan Today article, the Electric Eel Bite mention that they're
more popular in the UK than they are in Japan. In a recent Japan Today article,
they mention how they raised $50, 000 from fans around the world through their website.

- read some blogs that talk about Guitar Wolf and their trips to New York playing
the CBGB, the blogs mention that not only does the Wolf play to full house but
they often headline the show

- Cibo Matto and Pizzicato 5 got close to mainstream props, if I remember
right Cibo Matto appeared in an early episode of Buffy the Vampire Slayer.
Then there's Puffy Ami Yumi getting their own cartoon on Cartoon Network

- The Misfits and Balzac cut an album together, then the Misfits take Balzac
touring together and props them by making them the opening act and giving
kudos to them. Heard also that Balzac toys and other memorabilia are a
cult item here.

- back in the '90s, a bunch of bands from North America make a tribute
album to Shonen Knife


I haven't heard anything about bands from elsewhere in Asia getting the same
level of exposure or acclaim. Are they frozen out for a reason, or is it just
that Japan is more effective at getting their product out to a foreign audience?

I lived in Japan for half a year and part of that was in Osaka. Holy crap,
going to that JR station bridge area near Umeda Yodobashi Camera was
fantastic!!!! Every night, bands would come out at 5 pm - 8 or so and do
free live shows. They do it to get exposure, pass out flyers for upcoming
club gigs and hawk out cheap pressed EPs for about 400 yen. I still remember
one band in particular called Doorstop Mouse. Those guys moved a bit too
much like they were practicing in front of a mirror, but damn they were tight
musically. And the lead singer had a lot of stage presence, especially with
people about 6 feet away from him. Dunno if they'll ever get big, but they
had a lot of potential. I also remember a real lively ska outfit that did well
enough that they go to play in front of the cameras of a local music show.

awong
Jul 4th, 2008, 10:26 PM
it seems so, there seems to be a lot of jrock fans out there, wonder if it has something to do with them playing at anime conventions, etc. I know a friend of mine saw some jrock band in orlando, but it wasnt an anime convention either.

kikiandlala
Jul 4th, 2008, 11:49 PM
Hmm that could play a factor.


I was just talking to a friend and he mentioned this to me.
One of the members of Cibo Matto dated John Lennon's son
until he ditched her for a local NY socialite hottie.

Same friend mentioned also at some point during the early '90s,
bands from Japan sent out a call to North American bands
like Sonic Youth and Dinosaur Jr. to invite them over and
help develop the noise scene a bit (just a bit - as things were
already quite healthy). The NA bands were impressed by
what they saw and started pumping the bands they like over
there.

Also the guitarist from Megadeth, Marty Friedman was such
a fan of J-Rock and the music scene over there that he moved
over to them. http://en.wikipedia.org/wiki/Marty_Friedman_%28guitarist%29
http://search.japantimes.co.jp/cgi-bin/fo20070719pm.html

Lynch Society
Aug 21st, 2008, 12:58 AM
I think it just comes down to the music...a lot of the Japanese bands I've heard have a very "un-mainstream" sound that challenges the listener and that appeals to US fans who who are into different music
Bands like the Boredoms, Boris, and Acid Mothers Temple have big cult followings here....and they all seem to push the envelope...

I (and you can correct me if i'm wrong) don't see a lot of hard-edged bands coming out of other Asian countries. It's mostly pop and the little rock i've heard is the radio friendly pop-rock stuff ala Matchbox 20. I don't think that stuff has any crossover potential cause as we all know they would be trying to crossover to the mainstream audience in the States and we all know how that would end up

In short the metal/underground/punk/indie/post rock whatever scene is a helluva lot more open..

little mixed girl
Aug 31st, 2008, 04:04 AM
i know that the 2 girls in chibo matto are japanese, but i thought that they go together in the states...so not a "japanese band" in terms of being formed in japan and branching out from there.

if i were to make a guess...
in japan, rock music and what i call "angsty white boy music", is pretty popular.
if you loved rock and roll from the 70s and 80s, then you can find a lot of bands in japan that are just like that.
if you like the angsty white boy music that plays on shows like the OC or in A&F stores, then you can find a lot of that in japan.

if other asian countries are into that stuff, then they're not as....motivated? serious? as many japanese bands are.

finally, for a lot of western bands, going to japan = going to asia.
so if and when they are in japan, they probably have talk show heads and others pushing japanese rock bands on them and asking for their opinions.